About

I am a plastic artist trained at The Florence Academy of Art (USA and Italy) and a graduate of Jorge Tadeo Lozano University, with a specialization in children's illustration. My work has been featured in publications by the Etnollano Foundation, the International Cooperation Agency, and books such as Mapiripán, Complex Colombia, and Between Songs and Cries.

I created the monument in memory of "the 19 traders" in Bucaramanga, and collaborated with Mads Nissen on the White Blood project, exhibited across Europe. A collaborative piece with the Piaroa Indigenous people is now part of the Patricia Cisneros Latin American Art Collection.

Currently, I’m part of the Netflix series One Hundred Years of Solitude, contributing illustrations for costume design.

My Statement

My practice is rooted in a deep reflection on place, memory, and artistic responsibility. I create from what I see and experience, translating those perceptions into concepts that guide the material and formal qualities of each piece. I strive for clarity and precision, both in thought and execution.

Over the years, my work has led me to collaborate with diverse communities—indigenous groups, victims of violence, and truth-telling initiatives—through projects that explore memory, forgiveness, and reconciliation. These collaborations, along with exhibitions in Colombia, the U.S., and Europe, have shaped my vision as an artist committed to meaningful dialogue and social transformation.